Richard Hronský is a transdisciplinary artist, musician, and self-described “ambient shepherd” whose work bridges traditional instrumentation and experimental sound. At the core of his practice is the fujara — a Slovak overtone flute — whose voice he deconstructs through electronic processing, field recordings, and layered harmonies. Through the “denationalisation” of the instrument, he transforms it into expansive contemporary soundscapes that feel intimate, reflective, and borderless.

Active in music since the age of thirteen, Hronský has released three albums to date, including his most recent record Pohreb (2025) on mappa editions, which was also nominated for the RHA award in the experimental music category.

Alongside his musical work, he is also behind the exhibition projects Osvit and Subtyl, and has long been engaged in curatorial and community-based initiatives. In Bratislava, he organised and curated Rozptyl (2023), a large-scale collective exhibition bringing together over 150 artists from more than ten EU countries with minimal funding.

His performances often unfold in unconventional contexts, from Athens’ underground sewer systems — where he participated in experimental events during his studies — to DIY concerts and exhibitions staged in abandoned buildings or natural environments.

Through sound, space, and collaboration, Hronský promotes openness, care, and shared creativity over competition.